DECEMBER |
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D E C E M B E R |
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Stripped
of commentary and freed from their context, these explicit images have
been neutralised.
They are open to interpretation; an appeal is made to the viewer’s
archive of images.
This
always produces (individual) associations.
But these rely on external iconography and may include stereotypes and
preconceptions.
What
have we all been watching and can we still interpret images in their originality?
Hans Koster